topleft05.jpg (18208 bytes)HOMILY
Sixteenth Sunday in Ordinary Time (A)
17 July 11
 


 

In today’s gospel, Jesus likens faith to a “mustard seed” and to “yeast.”  I take the point of these two parables to be that faith begins with very little things and, when provided the appropriate environment and nutrients, faith can grow into something very strong that provides comfort to others—like a giant mustard tree—or the inspiration that others need to discover and fulfill their purpose in life—like yeast that transform grains of flour into a loaf of bread.

St. Paul told us in today’s epistle that we experience that mustard seed and yeast called “faith” in terms of the “groaning” of our hearts.

Have you ever thought about faith in those terms?  When you are really honest with yourself, what is your heart groaning about?  Not groans of anguish and frustration, but groans of longing and yearning.  When you are really honest with yourself, what do you long for?  For what are you yearning?

What that groaning reveals is our incompleteness, that is, our desire to find “meaning” in our lives.  If we are attentive to that groaning, it provides us a direction in which we need to move, that is, if we are to discover our meaning and purpose in life and to experience a sense of completeness (or “fulfillment”).  When we are attentive to that groaning, St. Paul wrote to the Romans, that’s when we pray “as we ought.”  For St. Paul, those groans are the Spirit of God moving within us, drawing our attention away from the distractions of the world outside and around us and toward the world that is inside and at the heart of our being, namely, the life of the soul.

Someone who understands exactly what St. Paul describes is Ray Herrmann.  Have you ever heard of Ray Herrmann?

Ray Herrmann is pretty much just like you and me.  Although he’s Catholic, Ray may be different in the sense that he takes his faith seriously, although you wouldn’t know it based upon his job description.

Ray Herrmann is the lead saxophonist and flautist for “Chicago,” one of the world’s most successful and longest-running rock bands.  A highly-gifted, Grammy award-winning musician, Herrmann is one of the world’s finest session players, having performed with many of America’s leading rock musicians over the past two decades, including Bob Dylan, Diana Ross, and Stevie Wonder.

How does a man of deep faith live that out in a notoriously secular and hedonistic environment?

“Some days are more difficult than others, I must be honest,” Ray Herrmann says. “But I think that through the Church and the sacraments, it’s easy really when you think about it.  All the tools are there—you just have to sort of follow the Church’s teachings.”

Herrmann doesn’t wear his faith on his sleeve, but people do know that he’s Catholic.  He says:

By providing entertainment, there’s a responsibility there and as a Catholic I try, when I get the chance, to be as forthright as I can be about my faith and what it means to me.
 

Herrmann also says that he’s not always alone in the practice of his faith and, while on tour, is sometimes surprised to see a crew member sitting in the same church.

Before a concert, Herrmann always prays that he will “play to the glory of God”:

That’s what I pray for, that people find joy in my music.  I might be doing some Christina Aguilera session, but I hope I bring that.  I talked with Santana about that, that you sort of try to bring that to every musical experience, whatever it is.
 

When asked what is his most prized musical achievement, Ray Herrmann doesn’t say that it’s accompanying all of those famous people before vast throngs of fans.  No, his most prized musical achievement is a set of three CDs that Ray and his wife, Theresa, produced with the Redemptorist Fathers.  The three CDs are titled “Praying the Rosary with St. Alphonsus Maria Ligouri,” “Praying the Seven Sorrows of Mary,” and “Praying the Way of the Cross.”  Herrmann says:

I’ve played in front of 700,000 screaming fans under the Eiffel Tower with Johnny Hallyday, but it means nothing really, because if I could give someone the rosary CD or the Way of the Cross and have them come back and say, “I really enjoyed that and found it meaningful,” that’s better than playing in front of 700,000.
 

The project had its earliest origins as a groaning in the heart of Herrmann and his wife.  As proud parents of their newborn first child, Maria, the Herrmanns searched for distinctly Catholic lullaby music.  Not finding any, Ray and Theresa decided to produce their own lullabies.  They ended up creating the record label “Little Lamb Music” to market the lullabies to other Catholic parents.

Several years later, the Redemptorist Fathers in Denver were looking for a high-caliber musician to produce, arrange, orchestrate, and perform the music and meditations written by their Founder, St. Alphonsus Ligouri, which had been discovered in the Redemptorist archives.  Finding and investigating the “Little Lamb Music” label, Redemptorist officials approached Herrmann to undertake the project.

Accepting the challenge, Herrmann wanted to engage the listener by helping them to pray and meditate, as we heard St. Paul write, “as we ought.”  Herrmann had a particular vision in mind: he wanted to produce a “prayer aide” for people, thinking of people like commuters in Los Angeles.  He said:

We wanted to make it so that you sort of had St. Alphonsus right there next to you, helping you with your meditations.
 

As Herrmann wrote the arrangements and orchestrations, he found himself learning from a Saint who was a lawyer, painter, architect, poet, sculptor, author of 111 books, and eventually, one of 33 doctors of the Church.  More importantly, St. Alphonsus was a skilled musician, the only Saint who has written a large body of music.

“It’s been a mission of love for my wife and me,” Ray Herrmann says.  The “it” is the yearning that was present in the hearts of Ray and his wife, a mustard seed or speck of yeast that have grown to unite them in God in the Sacrament of Marriage, and as parents of their children.  But, don’t overlook the environment: the wheat and the chaff are all around, as they were for St. Alphonsus Ligouri, too.  With the appropriate environment and nutrients provided by the Catholic faith, the mustard seed and yeast that transformed Alphonsus Ligouri into a Saint continues to provide strength and comfort to others—like a giant mustard tree—and the inspiration that others—like Ray Herrmann and his wife, Theresa—need to discover and fulfill their purpose in life—like yeast that transform grains of flour into a loaf of bread.  And now, in this generation, Ray Herrmann’s witness to the Catholic faith provides strength and comfort to others—like a giant mustard tree—and the inspiration that others in the rock music industry and beyond need to discover and fulfill their purpose in life—like yeast that transform grains of flour into a loaf of bread.

Be attentive to that groaning, St. Paul suggests.  It could happen while trying to sing a lullaby to a newborn.  It could happen while performing before 700,000 people.  It could happen during a commute to or from work.  Those groanings are the Spirit of God moving within, drawing attention away from the distractions of the world outside and around and toward the world inside and at the heart of what’s most important in life, namely, the life of the soul.

Be attentive!  That’s the opportunity to pray “as we ought.”

 

 

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